Yesterday, I was in luck to attend the Day of the Daleks preview (DVD is due for release on 12th September) and met the glorious Katy Manning and the surprise guest Colin Baker. While most people were suitably tipsy (including myself) throughout the evening, we managed to watch the entire four-episode story and two Q+As with the actors, actresses and the new special effect team.
The new special effect were very impressive. Usually, new effects are very low budget and looks of a cut and paste job as they don't blend in while with the grainy film quality. However for Day of the Daleks, the special effects were created with care, making it look like it was actually done at the time making it cinematic and high-budget. The effects includes transportation nebulas, gun rays and even incorporating the skeleton effect when being hit by the Daleks (an effect that is always used nowadays) which were delightful.
After episode two, an intermission break was made with a quick Q+A with the effects team being interviewed by an (obviously) intoxicated woman which was very amusing. It seems that the story heavily revolves around September. It was filmed on a September, set on a September, video was apparently released on a September and of course, the DVD to be released this month. One of the guys said when created the towers for the Daleks HQ, there was originally two towers. Needlessly to say, this was quickly resolved and instead, has three towers now. After this, Colin Baker was the surprise and special guest, turning up on stage making a slight satire of himself and received a special monument for his participation to the Doctor Who Appreciation Society.
An hour break was made (and several more drinks for everyone), we watched episode 3 and 4 with laughter. The Ogrons made comedic viewing and so much more enjoyable than the first two with even better special effects. As the story finished, it was met by heavy applaud then Katy Manning, Richard Franklin, and Scott Fredericks joined together on the stage. They have aged so much, it's scary but after 40years, they've obviously had a long life. Manning was just as you expect her to be, lively, slightly clumsy, talkative and tries to get everyone involved. Their talk of filming the particular story was full of nostalgia, sentiment and hard truth. It's sad to hear that they all admit that it's hard to watch Doctor Who of that era again as it reminds them of loss, mainly of the late Jon Pertwee.
They were applauded once again and the ever-so-slightly drunk audience made their way back to the bar. I personally came up to Katy Manning and just thanked her for her brilliant part in DW and grabbed me in for a hug which was a surprise but very nice indeed!
Doctor Who - Rewatched
Watching and reviewing Doctor Who stories, old and new.
Monday, 5 September 2011
Tuesday, 16 August 2011
Let's Kill Hitler
Knowing Steven Moffat likes to play Doctor Who stories in ways that you can't even talk about it to another person unless they've seen it, I was hoping Let's Kill Hitler will allow me some stuff for me to write about in this blog. Unfortunately no.
I can say that it is much better than A Good Man Goes To War with yet another twist and more confusions. A new character is suddenly in the program from the start, a robot policeman and robotic jellyfish and it is also hilarious. Two sentences, that is all I can say without ruining the episode. But you will not be dissapointed.
As the episode finished, we were treated to an exclusive trailer which most scenes are not shown in the adverts found on the BBC nor the internet in general but I can say someones back! As I shake my head in confusion and trying to peice things together, Karen Gillian, Steven Moffat and Arthur Darvill attends the stage straight from the cinema chairs of the BFI Southbank venue for a bit of Q&A. I even shook a little in excitement but unfortunately, a journalist right in front of me, from The Sun starts waving her hands about to ask some spoiler questions. She managed a question but refused to let go off the microphone to ask more when she was allowed one, very typical for someone from The Sun.
Cheekily, someone asked Moffat about his tendency to lie (considering what we had just seen on the silver screen) constistently, he replies "I lie, it's the best form of communication". However, my favourite question of the night was "When is the Rory action figure coming out?" which was met by a scatter of applaud. Right now, I am dying to watch Let's Kill Hitler again, no doubt most people will watch it twice once it's aired.
9/10
I can say that it is much better than A Good Man Goes To War with yet another twist and more confusions. A new character is suddenly in the program from the start, a robot policeman and robotic jellyfish and it is also hilarious. Two sentences, that is all I can say without ruining the episode. But you will not be dissapointed.
As the episode finished, we were treated to an exclusive trailer which most scenes are not shown in the adverts found on the BBC nor the internet in general but I can say someones back! As I shake my head in confusion and trying to peice things together, Karen Gillian, Steven Moffat and Arthur Darvill attends the stage straight from the cinema chairs of the BFI Southbank venue for a bit of Q&A. I even shook a little in excitement but unfortunately, a journalist right in front of me, from The Sun starts waving her hands about to ask some spoiler questions. She managed a question but refused to let go off the microphone to ask more when she was allowed one, very typical for someone from The Sun.
Cheekily, someone asked Moffat about his tendency to lie (considering what we had just seen on the silver screen) constistently, he replies "I lie, it's the best form of communication". However, my favourite question of the night was "When is the Rory action figure coming out?" which was met by a scatter of applaud. Right now, I am dying to watch Let's Kill Hitler again, no doubt most people will watch it twice once it's aired.
9/10
Monday, 8 August 2011
The Seeds Of Doom
Right at the beginning (with some not very convincing snow effect), it is set in the Arctic. You wouldn't be blamed for thinking you're watching a low-budget remake of "The Thing". Two men who work at a nearby lab station finds a pod and brings it back inside. Quickly the scientists moan and argue what to do with this strange one-of-a-kind object. Soon enough it feels like "The Thing" again as the pod hatches and takes over Keeler (a scientist body). Meanwhile a crazy and rich botanist named Chase hears of this pod and orders two of his best men (one of which you'd recognise as Boycie from Only Fools and Horses) to find another one. The Doctor however is talking to a guy in the government, also hearing of this pod.
All this takes an entire episode and could easily be put into less than ten minutes. However it does pick up pace onto the second. Keeler is infected and controlled by whatever came out of the pod which gives another classic horror association (Day of the Triffids, The Bodysnatchers) which are also associated with plants. But the story takes a turn away from the pod and focuses onto the characters behaviours. Especially once Chase's men arrives at the lab station in the Arctic, the story tells of greed, untrust and insecurity between the good men and the bad. Doctor also arrives in the Arctic to find a second pod (as they travel in pairs apparently) and simply a fight break out. After survival, they simpy return to Chase's mansion. There is much to describe here as the story does stretch on a bit.
Anything else to say is difficult to describe as it would spoil the story. There is a "heavy moral" though, why is it so acceptable for animals to eat plants but not the other way round? What I really wanted Doctor to say "Not on this planet bitch" but hey-ho. There are some impressive graphics that still looks a bit convincing today, Sladen is wonderful as ever, the extras are awful but amusing and seeing Boycie is also a delight. However the story is simply too long, this can easily be re-filmed today into a 45minute slot and would do it justice too.
6/10
All this takes an entire episode and could easily be put into less than ten minutes. However it does pick up pace onto the second. Keeler is infected and controlled by whatever came out of the pod which gives another classic horror association (Day of the Triffids, The Bodysnatchers) which are also associated with plants. But the story takes a turn away from the pod and focuses onto the characters behaviours. Especially once Chase's men arrives at the lab station in the Arctic, the story tells of greed, untrust and insecurity between the good men and the bad. Doctor also arrives in the Arctic to find a second pod (as they travel in pairs apparently) and simply a fight break out. After survival, they simpy return to Chase's mansion. There is much to describe here as the story does stretch on a bit.
Anything else to say is difficult to describe as it would spoil the story. There is a "heavy moral" though, why is it so acceptable for animals to eat plants but not the other way round? What I really wanted Doctor to say "Not on this planet bitch" but hey-ho. There are some impressive graphics that still looks a bit convincing today, Sladen is wonderful as ever, the extras are awful but amusing and seeing Boycie is also a delight. However the story is simply too long, this can easily be re-filmed today into a 45minute slot and would do it justice too.
6/10
Thursday, 28 July 2011
Paradise Towers
A recent release on DVD of Paradise Towers has quickly become a personal favourite. However, judging by other fans, it seems somewhat of a Marmite situation.
In a similar cheesy style as Delta and the Bannermen, it is McCoy's second episode. The story starts of by Mel wanting a swim in a swimming pool (a passing comment says that Doctor had to jettison out the TARDIS swimming pool, which of course somehow returned in Eleventh Hour). So Doctor heads off to Paradise Towers, a sort of Utopian Centre Parcs where people take residence in. But as they discovered, Paradise Towers has become dilapidated, covered in graffiti and the corridors being roamed by different colours of Kangs (gangs of teenage girls who seems to have a likeness for Toyah Wilcox). They are hunted down by Caretakers (police/guards of the Towers) and Cleaners (robots who apparently cleans). A waywards character who sees himself as the next Stallone or Schwarzenegger often appears out of nowhere, finding someone to rescue.
Obviously this means a lot of drama and a hint of bad acting. However Richard Briers from The Good Life is the lead baddie, sporting an Adolf Hitler moustache, similar uniform and behaviour, bringing a great amusement to the story. Naturally, Doctor and his faithful screaming companion gets seperated as it traditionally goes. Mel finds herself swayed by into a flat of two female OAPs, being offered lots of tea and cakes but the old grannies compliments much on her body. Obviously too much (as they call her "plump and delicious") but Mel is obviously too naive to see that the grannies are in fact cannibalists. It is greatly played though and very amusing in the black-comedy style. Doctor ended up having to work with the Kangs and finds out that there are no "in-betweens" of the young Kangs and the greedy grannies, assuming that the adults had to leave for a war.
Soon enough, we find there are evil lurking in the basement and the Cleaners has dead bodies in them. As the body counts goes up, Mel finally finds the swimming pool (this seems to be her highest priority??) and naturally, there is a minion in the pool. Serves her right I suppose. Soon enough, with the help of Doctor, the Kangs and the old ladies team up to fight the evil in the basement, giving the moral story of "Forgive and Forget". The ending is a little weak, especially after so much themes, similar to Brazil and 1984. McCoy is still finding his way to play Doctor properly here, but it is easy to see that he's finding his feet after Time and the Rani.
I personally love most of it, but other fans say that it is painful to watch. It is definitely not the best but the satire and black-comedy of it is what makes it watchable for myself. It works on the similar effect as Revelation of the Daleks, but nowhere near as good.
6/10
In a similar cheesy style as Delta and the Bannermen, it is McCoy's second episode. The story starts of by Mel wanting a swim in a swimming pool (a passing comment says that Doctor had to jettison out the TARDIS swimming pool, which of course somehow returned in Eleventh Hour). So Doctor heads off to Paradise Towers, a sort of Utopian Centre Parcs where people take residence in. But as they discovered, Paradise Towers has become dilapidated, covered in graffiti and the corridors being roamed by different colours of Kangs (gangs of teenage girls who seems to have a likeness for Toyah Wilcox). They are hunted down by Caretakers (police/guards of the Towers) and Cleaners (robots who apparently cleans). A waywards character who sees himself as the next Stallone or Schwarzenegger often appears out of nowhere, finding someone to rescue.
Obviously this means a lot of drama and a hint of bad acting. However Richard Briers from The Good Life is the lead baddie, sporting an Adolf Hitler moustache, similar uniform and behaviour, bringing a great amusement to the story. Naturally, Doctor and his faithful screaming companion gets seperated as it traditionally goes. Mel finds herself swayed by into a flat of two female OAPs, being offered lots of tea and cakes but the old grannies compliments much on her body. Obviously too much (as they call her "plump and delicious") but Mel is obviously too naive to see that the grannies are in fact cannibalists. It is greatly played though and very amusing in the black-comedy style. Doctor ended up having to work with the Kangs and finds out that there are no "in-betweens" of the young Kangs and the greedy grannies, assuming that the adults had to leave for a war.
Soon enough, we find there are evil lurking in the basement and the Cleaners has dead bodies in them. As the body counts goes up, Mel finally finds the swimming pool (this seems to be her highest priority??) and naturally, there is a minion in the pool. Serves her right I suppose. Soon enough, with the help of Doctor, the Kangs and the old ladies team up to fight the evil in the basement, giving the moral story of "Forgive and Forget". The ending is a little weak, especially after so much themes, similar to Brazil and 1984. McCoy is still finding his way to play Doctor properly here, but it is easy to see that he's finding his feet after Time and the Rani.
I personally love most of it, but other fans say that it is painful to watch. It is definitely not the best but the satire and black-comedy of it is what makes it watchable for myself. It works on the similar effect as Revelation of the Daleks, but nowhere near as good.
6/10
Monday, 25 July 2011
A Gap in Time
After another bunch of essays and coursework and another house move, I obviously have been neglecting this blog (whilst so early too).
However, I will be back to reviewing dvd stories soon PLUS the long awaited Let's Kill Hitler return episode. Which will be watched exclusively at the BFI, two weeks before estimated broadcast date. The review will be spoiler free of course but keep an eye out. Enjoy for what is to come!
However, I will be back to reviewing dvd stories soon PLUS the long awaited Let's Kill Hitler return episode. Which will be watched exclusively at the BFI, two weeks before estimated broadcast date. The review will be spoiler free of course but keep an eye out. Enjoy for what is to come!
Wednesday, 20 April 2011
R.I.P. Elisabeth Sladen
Yesterday, I found through a huge number of Twitter posts that Elisabeth Sladen has died. At first I refused to believe it as there was no official report of her death. As now it's confirmed that she died from cancer. It's a shocking news to us all, as a loved woman and one of the best loved Doctor Who companion of all. It's brilliant that she has also appealed to the younger audience these days with her spin-off show Sarah Jane Adventures with the result that she is loved more by many generations of the 20th and 21st century. People will remember her for her talent, enthusiasm and loyalty to Doctor Who.
R.I.P. Elisabeth Sladen, much too early and a devastating lost.
R.I.P. Elisabeth Sladen, much too early and a devastating lost.
Saturday, 2 April 2011
The Time Invasion
This story is quite a disturbing one in terms of Tom Bakers Doctor. Without explanation we already see him being arrogant, full of himself and not quite right, pretty much the early version of 6th Doctor. But here, it is quite obvious that he is the villian (not like Meglos, where a villian took on the Doctors form) so it's already quite intruiging from the start. You have to feel for Leela though as he now almost despises her. Doctor agrees some kind of treaty with a group of aliens on their ship, but we do not know of who the hell these aliens are except they're called Vardans. All of a sudden, Doctor wants to go to Gallifrey and take his rightful spot to the Presidency of the High Council of Time Lords. As he successfully does so, he tries to banish Leela to the "outside world" of Gallifrey. Soon we finally see the Vardans (who are basically floating silver jackets looking like they're doing something rude underneath) and becomes obvious that they're telepathic and controls people, including Doctor.
All this on introduction alone is very odd, all the comedic style has been lost and we're left worrying about the Doctor and Leela. In a strange way, I like it. It makes a nice change from your usual Who stories, especially with the fact that the Doctor is not a goodie in this so far. What is nice is when Leela escapes to the "outside world" with a female staff of Gallifreyan space traffic named Rodan, she meets a tribe, not unlike hers back on Earth. It is also quite amusing how they easily get along together. What I absolutely love is the melodrama from Rodan, who has never been "outside". When asked about supplies she needs to live on, she presents the tribe a plastic box with neatly organised Smarties, maybe they look a lot more convincing then but guarantees a laugh in todays world.
After a few muddles with Leela's newfound tribe and Doctor beating off the telepathy, the Vardan's are beaten after the risk strategy in weakening Gallifrey's force field. However, yet another enemy arrived, the Sontarans. This would've been a huge surprise if they weren't on the DVD cover. I have to say they aren't the best Sontaran version DW has come out with, the helmets are clearly made out of paper mache and their faces seems like they're gonna cry any moment now. While they're only in for the last two episodes of the story, their mark hasn't been properly set. However, in my opinion, the last two episodes are the best.
We get to see more of the TARDIS interior beyond the control room (as the goodies get chased by Sontarans) such as a swimming pool (which they call a bathroom, taking the biscuit I suspect) a garden room with a gigantic flytrap etc...but some rooms are difficult to convince as they were blatantly in an old hospital and one which is obviously a wood workshop classroom with windows covered by black binbags. There is a scene of a Sontaran tripping over a sunbed (and breaking it) and kept trying to carry on, which I found hilarious, as it really does look like an accident. Despite the few negatives on the settings, it all starts feeling a bit magical again with the usual quirky theme. The ending is very good, Leela decides to remain on Gallifrey after falling in love with a guard. I can't see it working out, an Earth human with a life expectancy of say, about 90years and the guard has 12 regenerations in him, bit of an age-gap challenge there. K9 also decided to stay behind to look after Leela, they worry of Doctor being lonely but Doctor leaves in his TARDIS anyway. The last scene is brilliant, he simply gets a cardboard box out titled "K9 MII" looks into the camera close-up and shows us his teethy smile.
Any Who fan would feel at least a little bit joyous after that.
8/10
All this on introduction alone is very odd, all the comedic style has been lost and we're left worrying about the Doctor and Leela. In a strange way, I like it. It makes a nice change from your usual Who stories, especially with the fact that the Doctor is not a goodie in this so far. What is nice is when Leela escapes to the "outside world" with a female staff of Gallifreyan space traffic named Rodan, she meets a tribe, not unlike hers back on Earth. It is also quite amusing how they easily get along together. What I absolutely love is the melodrama from Rodan, who has never been "outside". When asked about supplies she needs to live on, she presents the tribe a plastic box with neatly organised Smarties, maybe they look a lot more convincing then but guarantees a laugh in todays world.
After a few muddles with Leela's newfound tribe and Doctor beating off the telepathy, the Vardan's are beaten after the risk strategy in weakening Gallifrey's force field. However, yet another enemy arrived, the Sontarans. This would've been a huge surprise if they weren't on the DVD cover. I have to say they aren't the best Sontaran version DW has come out with, the helmets are clearly made out of paper mache and their faces seems like they're gonna cry any moment now. While they're only in for the last two episodes of the story, their mark hasn't been properly set. However, in my opinion, the last two episodes are the best.
We get to see more of the TARDIS interior beyond the control room (as the goodies get chased by Sontarans) such as a swimming pool (which they call a bathroom, taking the biscuit I suspect) a garden room with a gigantic flytrap etc...but some rooms are difficult to convince as they were blatantly in an old hospital and one which is obviously a wood workshop classroom with windows covered by black binbags. There is a scene of a Sontaran tripping over a sunbed (and breaking it) and kept trying to carry on, which I found hilarious, as it really does look like an accident. Despite the few negatives on the settings, it all starts feeling a bit magical again with the usual quirky theme. The ending is very good, Leela decides to remain on Gallifrey after falling in love with a guard. I can't see it working out, an Earth human with a life expectancy of say, about 90years and the guard has 12 regenerations in him, bit of an age-gap challenge there. K9 also decided to stay behind to look after Leela, they worry of Doctor being lonely but Doctor leaves in his TARDIS anyway. The last scene is brilliant, he simply gets a cardboard box out titled "K9 MII" looks into the camera close-up and shows us his teethy smile.
Any Who fan would feel at least a little bit joyous after that.
8/10
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